A Space to Create
DECEMBER 2021
A Space to Create is a visually stunning, poetic and complex sixteen-minute film that tells the remarkable story of Sybil Shearer and Helen Balfour Morrison. As artful as the work of these two artists themselves, the film itself is in motion and exquisitely complements the visuals of Helen Balfour Morrison and the choreography of Sybil Shearer.
A committee of the Foundation’s Board of Trustees, chaired by Liz Kidera, commissioned Bob Hercules and Media Process Group to create a short film about the work of these two pioneering female artists. This story of Shearer’s original Northbrook dance studio, and the decisions that led the Morrison-Shearer Foundation to build the Sybil Shearer Dance Studio at Ragdale, herald the creation of a new arts resource for dance in the United States.

The Sybil Shearer Studio Opens at Ragdale
SEPTEMBER 18, 2021
The Morrison-Shearer Foundation and the Ragdale Foundation marked the opening of the Sybil Shearer Studio in the new Studio House of Dance and Music with “Space to Move,” a celebratory event held on National Dance Day, Saturday, Sept. 18, 2021. The event featured a promenade-style dance performance directed by Kristina Isabelle, artistic director of Kristina Isabelle Dance, that led guests through the late summer gardens of the Ragdale campus, culminating at the new Studio House of Dance and Music, site of the new Sybil Shearer Studio.

The state-of-the-art Sybil Shearer Studio and adjacent composer’s studio now provide artists with space for contemplative creativity and the opportunity to explore their practice within a group of other artists and writers, with housing and meals provided during their residency.
The Morrison-Shearer Foundation and the Ragdale Foundation marked the opening of the Sybil Shearer Studio in the new Studio House of Dance and Music with “Space to Move,” a celebratory event held on National Dance Day, Saturday, Sept. 18, 2021. The event featured a promenade-style dance performance directed by Kristina Isabelle, artistic director of Kristina Isabelle Dance, that led guests through the late summer gardens of the Ragdale campus, culminating at the new Studio House of Dance and Music, site of the new Sybil Shearer Studio.
The state-of-the-art Sybil Shearer Studio and adjacent composer’s studio now provide artists with space for contemplative creativity and the opportunity to explore their practice within a group of other artists and writers, with housing and meals provided during their residency.
The new Studio House of Dance and Music was designed by Woodhouse Tinucci Architects; the general contractor for the project was Jake Goldberg of Goldberg General Contracting, Inc. and landscape design by Rosborough Partners, Inc. The construction of the new Studio House of Dance and Music was made possible by a $1.5 million one-time grant from the Northbrook-based Morrison-Shearer Foundation to the Ragdale Foundation, along with $400,000 from the Ragdale Foundation.
The Ragdale campus is located on the verdant 5-acre historic grounds of the former country estate of architect Howard Van Doren Shaw not far from Lake Michigan and approximately 30 miles north of Chicago.
The Studio House of Dance and Music brings about the realization of the dream of modern dance pioneer Sybil Shearer (1912 – 2005) and her longtime artistic collaborator, photographer Helen Balfour Morrison (1901 – 1984). Shearer and Morrison envisioned creating a tranquil location where artists could hone their skills and advance their artistic self-expression free from distractions.
For information on Ragdale’s Residency and Fellowship programs, visit their website at https://www.ragdale.org/

Space to Move
SEP 18, 2021
Join us on September, 18, 2021, for this FREE EVENT on National Dance Day, as we celebrate the opening of the Studio House of Dance and Music, The Sybil Shearer Studio. The 2,500 square-foot new construction offers accessible, state-of-the-art spaces for dancers, choreographers, and musicians, and enhances our ability to promote dance in innovative, meaningful ways.
The opening includes a promenade-style dance performance directed by Kristina Isabelle that leads you through the lush, late-summer gardens of the Ragdale campus, culminating at the site of the newly constructed Sybil Shearer Studio.
This event exemplifies the collaborative relationship between the Morrison-Shearer Foundation and the Ragdale Foundation in promoting dance and inspiring new work.
The event will take place outside of the Studio House of Dance and Music, The Sybil Shearer Studio, in The Ragdale Ring. Space to Move is also the final event of the Ragdale Ring series.

The Sybil Shearer Studio Opens September 18, 2021
The Morrison-Shearer Foundation and the Ragdale Foundation mark the opening of the Sybil Shearer Studio in the new House of Dance and Music with “Space to Move,” a celebratory event on National Dance Day, beginning at 6 p.m., Saturday, Sept. 18 (rain date 6 p.m., Sunday Sept. 19). This event takes place on the Ragdale campus located in Lake Forest and is free and open to the public.
The opening event features a promenade-style dance performance directed by Kristina Isabelle, artistic director of Kristina Isabelle Dance, that will lead guests through the late-summer gardens of the Ragdale campus and culminate at the new House of Dance and Music, site of the new Sybil Shearer Studio.
Free parking is available in Lake Forest's Oakwood lot, located behind Lake Forest City Hall at 220 E. Deerpath Rd., on the corner of Oakwood and Deerpath. A shuttle van will run every 15 minutes from 4:30 – 8 p.m. To help keep guests and staff healthy and safe, “Space to Move” attendees are asked to wear a mask and practice social distancing when on the shuttle and when on the Ragdale campus. Supper box and beverages are available for advance purchase. For more information visit ragdale.org/opening-the-sybil-shearer-studio.
THE MORRISON-SHEARER FOUNDATION AND THE RAGDALE FOUNDATION CELEBRATE THE OPENING OF THE SYBIL SHEARER STUDIO IN THE NEW HOUSE OF DANCE AND MUSIC WITH FREE “SPACE TO MOVE” EVENT ON NATIONAL DANCE DAY, SEPT. 18
NORTHBROOK, Ill.— The Morrison-Shearer Foundation and the Ragdale Foundation mark the opening of the Sybil Shearer Studio in the new House of Dance and Music with “Space to Move,” a celebratory event on National Dance Day, beginning at 6 p.m., Saturday, Sept. 18 (rain date 6 p.m., Sunday Sept. 19). This event takes place on the Ragdale campus located in Lake Forest and is free and open to the public.
The opening event features a promenade-style dance performance directed by Kristina Isabelle, artistic director of Kristina Isabelle Dance, that will lead guests through the late-summer gardens of the Ragdale campus and culminate at the new House of Dance and Music, site of the new Sybil Shearer Studio.
Free parking is available in Lake Forest's Oakwood lot, located behind Lake Forest City Hall at 220 E. Deerpath Rd., on the corner of Oakwood and Deerpath. A shuttle van will run every 15 minutes from 4:30 – 8 p.m. To help keep guests and staff healthy and safe, “Space to Move” attendees are asked to wear a mask and practice social distancing when on the shuttle and when on the Ragdale campus. Supper box and beverages are available for advance purchase. For more information visit ragdale.org/opening-the-sybil-shearer-studio.
The state-of-the-art Sybil Shearer Studio and composer’s studio will provide artists with space for contemplative creativity and the opportunity to explore their practice within a group of other artists and writers, with housing and meals provided during their residency. The new House of Dance and Music is designed by Woodhouse Tinucci Architects; the general contractor for the project is Jake Goldberg of Goldberg General Contracting, Inc. and landscape design is by Rosborough Partners, Inc.
The construction of the new House of Dance and Music is made possible by a $1.5 million one-time grant from the Northbrook-based Morrison-Shearer Foundation to the Ragdale Foundation, along with $400,000 from the Ragdale Foundation. The Ragdale campus is located on the verdant 5-acre historic grounds of the former country estate of architect Howard Van Doren Shaw not far from Lake Michigan and approximately 30 miles north of Chicago.
The House of Dance and Music brings about the realization of the dream of modern dance pioneer Sybil Shearer (1912 – 2005) and her longtime artistic collaborator, photographer Helen Balfour Morrison (1901 – 1984). Shearer and Balfour Morrison envisioned creating a tranquil location where artists could hone their skills and advance their artistic self-expression free from distractions.
The Morrison-Shearer Foundation and the Ragdale Foundation Celebrate the Opening of the Sybil Shearer Studio in the new House of Dance and Music Sept. 18
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Sybil Shearer (1912 – 2005) was a leading pioneer of modern dance in the mid-20th century, beginning in New York with the Humphrey-Weidman Company and Agnes de Mille while passionately developing her own solos on the side. After a critically acclaimed solo debut at the Carnegie Chamber Music Hall in 1941, she moved to Chicago and soon met photographer Helen Balfour Morrison (1901 – 1984), who became her lighting director, photographer, filmographer and artistic collaborator for the next 40 years. Shearer first taught at Roosevelt College, started the Sybil Shearer School of Dance, and continued to return to New York for annual solo performances that attracted leading figures from the dance community. She gave all these up in 1951 when she, in collaboration with Morrison, built a studio-residence in Northbrook, Ill. and started the Sybil Shearer Company. As a soloist, critic Walter Terry stated that her "technical skill, creative independence, and unpredictable innovations have made her what is known as 'a dancer's dancer'” and called her "one of the world's foremost modern dancers," a status reaffirmed in 2014 by noted dance historian, David Vaughan. Shearer may not be as widely remembered today as one would expect, perhaps because she worked out of the mainstream and close to nature, with infrequent performances.
The Morrison-Shearer Foundation, established by Shearer in 1991, now “perpetuates the legacy of dancer- choreographer Sybil Shearer and photographer Helen Balfour Morrison as an inspiration for new creativity in the arts.” This legacy has been shared through grants and fellowships, occasional public programs and dance re-creations. All of the Morrison and Shearer archives have been placed in the Newberry Library and the Morrison films are in the Chicago Film Archives. An in-depth website was launched in 2020, and Shearer’s 3- volume autobiography, “Without Wings the Way Is Steep,” was released in July 2021. The new Sybil Shearer Studio at Ragdale will be a living embodiment of the legacy of the two women, encouraging new creativity for years to come. For more information visit morrisonshearer.org.
Ragdale is a nonprofit artists’ community located on the former country estate of architect Howard Van Doren Shaw. Its mission is to embolden creative exploration and achievement by giving courage to and providing a setting establishing a culture of excellence, generosity, and inclusivity. Ragdale was founded in 1976 by poet Alice Judson Hayes, the granddaughter of Shaw. In 1897, Shaw built the country estate where the Ragdale Foundation is located at 1260 N. Green Bay Road on the edge of a beautiful 50-acre prairie in Lake Forest. Ragdale was the family’s summer retreat, and included an outdoor theater, the Ragdale Ring, where Shaw’s friends and family frequently performed for the community. Ragdale typically offers 200 residencies and fellowships annually to creative professionals of all types, representing a cross-section of ages, cultures, experience and mediums. While residents do pay a fee to attend Ragdale, the actual costs of a residency are about 95 percent subsidized by Ragdale’s annual fundraising. Ragdale Fellows, whose fees are entirely underwritten, are selected based on merit, from the group of accepted residents. Each year about 25 to 30 Fellows are selected. Due to COVID-19 distancing protocols, Ragdale is not accepting new residency applications at this time. For more information visit ragdale.org.

Morrison-Shearer Foundation Names Scott Lundius New Executive Director
JUNE 4, 2021
Download the Press Release
The Morrison-Shearer Foundation (MSF) has named Scott Lundius as the new Executive Director effective immediately. Lundius will serve as the program and grant manager, ambassador and day-to-day point person for the foundation. His appointment comes at an exciting time for MSF following a recent restructuring of the board and as the Foundation prepares to celebrate the fall opening of a new Sybil Shearer Studio on the campus of Ragdale.
“We are fortunate to have found someone like Scott with a passion for dance, experience in administration and familiarity with our community” says MSF Board President Alida Szabo. “His talents will be invaluable as we continue our mission to perpetuate the legacy of dancer/choreographer Sybil Shearer and photographer Helen Balfour Morrison as an inspiration for new creativity in the arts.”
The Morrison-Shearer Foundation (MSF) has named Scott Lundius as the new Executive Director effective immediately. Lundius will serve as the program and grant manager, ambassador and day-to-day point person for the foundation. His appointment comes at an exciting time for MSF following a recent restructuring of the board and as the Foundation prepares to celebrate the fall opening of a new Sybil Shearer Studio on the campus of Ragdale.
“We are fortunate to have found someone like Scott with a passion for dance, experience in administration and familiarity with our community” says MSF Board President Alida Szabo. “His talents will be invaluable as we continue our mission to perpetuate the legacy of dancer/choreographer Sybil Shearer and photographer Helen Balfour Morrison as an inspiration for new creativity in the arts.”
Lundius began his career in the arts as a dancer in his hometown of St. Louis, Mo. He continued his dance training in New York City became a member of the Limón Dance Company (1981-1985). In 1987, after more than 10 years as a dancer performing with a variety of New York City-based companies, he made the move to administrative roles. Over the years, Lundius has worked in a wide range of arts organizations including Pentacle and Prospect Park Alliance in New York City and Taos Center for the Arts and Taos Talking Pictures in New Mexico. With these organizations he garnered experience in virtually every facet of arts administration including fundraising, company and program management, fiscal administration and performance presentation and production. Since moving to Chicago from New Mexico in 2002, his passion and professional commitment has been focused on arts education, building strong creative communities and developing programs designed to serve those with the fewest resources. Chicago career highlights include seven years as the Director of Education at Marwen, Chicago’s out-of-school-time visual arts program for underserved teens, and Director of Education and Programs for Old Town School of Folk Music, the nation’s largest community art school. Throughout his career he has maintained a deep connection to dance and dancers, frequently returning to teach, perform in and choreograph for special performance projects.

Through the Morrison-Shearer Foundation, dance maverick Sybil Shearer continues to enrich Chicago dance
SEE CHICAGO DANCE ARTICLE, JUNE 4, 2021
Link to Article
Chicagoland’s dance community has an important and enduring friend in dance maverick Sybil Shearer and the Northbrook-based Morrison-Shearer Foundation.
The Foundation, established in 1991, perpetuates the legacy of dancer/choreographer Shearer and collaborator/photographer Helen Balfour Morrison as an inspiration for new creativity in the arts by providing grants, the Sybil Shearer Fellowship at Ragdale, which began in 2016 and occasional public programs and dance re-creations.
This June, the Foundation releases the third and final volume of Shearer’s three-volume autobiography, “Without Wings the Way is Steep.”
Chicagoland’s dance community has an important and enduring friend in dance maverick Sybil Shearer and the Northbrook-based Morrison-Shearer Foundation.
The Foundation, established in 1991, perpetuates the legacy of dancer/choreographer Shearer and collaborator/photographer Helen Balfour Morrison as an inspiration for new creativity in the arts by providing grants, the Sybil Shearer Fellowship at Ragdale, which began in 2016 and occasional public programs and dance re-creations.
This June, the Foundation releases the third and final volume of Shearer’s three-volume autobiography, “Without Wings the Way is Steep.”
“What a third act!” says Margo Viscusi, President Emerita of Poets House, New York, and student of Shearer’s. With all three volumes of the autobiography available, readers will have the opportunity to view the full arc of a dancer’s life and gain new insights into nearly a century of Chicago dance history. It is also an invitation to check out the Morrison and Shearer archives at the Newberry Library and the Chicago Film archives.
Sybil Shearer (1912-2005) was a leading pioneer of modern dance in the mid-20th century, beginning in New York with the Humphrey-Weidman Company and Agnes de Mille while passionately developing her own solos on the side. After a critically acclaimed solo debut at the Carnegie Chamber Music Hall in 1941, she moved to Chicago, first teaching at Roosevelt College and starting the Sybil Shearer School of Dance. She soon met photographer Helen Balfour Morrison (1901-1984), who became her lighting director, photographer, filmographer and artistic collaborator for the next 40 years. In 1951, in collaboration with Morrison, Shearer built a studio-residence in Northbrook and started the Sybil Shearer Company. In 1970, critic Walter Terry stated that her "technical skill, creative independence and unpredictable innovations have made her what is known as 'a dancer's dancer.’”
This past December, the Foundation made a grant to Ragdale, the nationally acclaimed artist residency program in Lake Forest, for the construction of a new building including a Sybil Shearer Studio. Construction is scheduled to be completed this fall.
The original Morrison-Shearer Northbrook residence and studio was a quiet mecca for renowned artists, theater personalities, writers, critics, dancers and musicians, among them musician/artist John Cage and dancer Ruth St. Denis. In recognition of the 15th anniversary of Shearer’s passing and following the completion of the new studio at Ragdale, this fall the Foundation plans to host a screening of their first documentary, created by Bob Hercules of Media Process Group, charting the life of Shearer’s original Northbrook studio designed by Morrison in 1951 to the new studio on the Ragdale campus. The Morrison-Shearer Foundation continues to operate out of the original Northbrook residence.

Please join us June 16 as we gather to celebrate dance, conversation, and music under the stars at Ragdale
Celebrating the Construction of the Studio House of Dance and Music
MARCH 16, 2021

Ragdale Board Chair Barbra Schumann speaks during a gathering to celebrate the construction of the new Ragdale Building for Dance and Music, which will be home to the Sybil Shearer Studio, in Lake Forest. (Joe Lewnard | Staff Photographer)
$1.5 million grant supports construction of studio named for, inspired by famed Northbrook dancer
Daily Herald, 3/31/21 https://www.dailyherald.com/news/20210331/15-million-grant-supports-construction-of-studio-named-for-inspired-by-famed-northbrook-dancer
Construction paused recently to celebrate work on the new Studio House of Dance and Music, home to what will be the new Sybil Shearer Studio on the Ragdale campus in Lake Forest. In December, Northbrook's Morrison-Shearer Foundation provided a $1.5 million grant to the Ragdale Foundation to support construction of a dance studio and composer's studio within the former estate of Howard Van Doren Shaw on the Ragdale campus. The future Sybil Shearer Studio is named for the modern midcentury dancer. Starting as a performer in New York, Sybil Shearer (1912-2005) then taught at Roosevelt University and started her own dance school. In 1951, with photographer and artistic collaborator Helen Balfour Morrison, Shearer built a studio-residence in Northbrook and founded the Sybil Shearer Company.
"It is fitting that the Northbrook-based Morrison-Shearer Foundation and Lake Forest-based Ragdale Foundation came together today, during Women's History Month, to celebrate the construction of the home to the new Sybil Shearer Studio. With this addition to the Ragdale campus, we honor modern dance pioneer Sybil Shearer and her longtime collaborator, photographer and filmmaker Helen Balfour Morrison," said Morrison-Shearer Foundation Board Chair Alida Szabo.
"Our $1.5 million grant for this new construction is a seminal moment in our history, helping to perpetuate the legacies of Sybil and Helen while cementing our relationship with Ragdale," Szabo said.
$1.5 million grant supports construction of studio named for, inspired by famed Northbrook dancer
Construction paused recently to celebrate work on the new Studio House of Dance and Music, home to what will be the new Sybil Shearer Studio on the Ragdale campus in Lake Forest. In December, Northbrook's Morrison-Shearer Foundation provided a $1.5 million grant to the Ragdale Foundation to support construction of a dance studio and composer's studio within the former estate of Howard Van Doren Shaw on the Ragdale campus. The future Sybil Shearer Studio is named for the modern midcentury dancer. Starting as a performer in New York, Sybil Shearer (1912-2005) then taught at Roosevelt University and started her own dance school. In 1951, with photographer and artistic collaborator Helen Balfour Morrison, Shearer built a studio-residence in Northbrook and founded the Sybil Shearer Company.
"It is fitting that the Northbrook-based Morrison-Shearer Foundation and Lake Forest-based Ragdale Foundation came together today, during Women's History Month, to celebrate the construction of the home to the new Sybil Shearer Studio. With this addition to the Ragdale campus, we honor modern dance pioneer Sybil Shearer and her longtime collaborator, photographer and filmmaker Helen Balfour Morrison," said Morrison-Shearer Foundation Board Chair Alida Szabo.
"Our $1.5 million grant for this new construction is a seminal moment in our history, helping to perpetuate the legacies of Sybil and Helen while cementing our relationship with Ragdale," Szabo said.
Joining the celebration was a group including Lake Forest Mayor George Pandaleon and Morrison-Shearer Foundation Board Treasurer Brian Schaefer, Vice Chair Shayne Bullen, Immediate Past Board Chair Carol Doty, Trustee Toby Nicholson and Secretary MarySue Wheeler.
The Morrison-Shearer (http://morrisonshearer.org/) grant, along with $400,000 from the Ragdale Foundation -- a nonprofit organization benefiting an artists' community -- will support construction of two, one-story attached buildings totaling 2,500 square feet. According to the Morrison-Shearer website, the project is intended to open this fall.
The Sybil Shearer Studio will feature a 30-foot-deep, 50-foot-wide clearspan space with a sprung dance floor and provisions for adjustable lighting and audiovisual equipment.
Both studios will offer private sleeping spaces and be fully accessible. Large windows will provide Ragdale resident artists the feeling of being immersed in nature, as Shearer was in her Northbrook studio.
The building is being designed by Woodhouse Tinucci Architects; general contractor is Jake Goldberg of Goldberg General Contracting; landscaping design is by Rosborough Partners, Inc.
"Here, on our campus, alongside the prairie land, the themes of collaboration and nature will continue to unfold as we pay homage to Sybil and the Morrison-Shearer Foundation's core values as an authentic and devoted organization," said Ragdale Foundation Board President Barbra Schumann.
"Morrison-Shearer, thank you for allowing the creativity to flow through the power of dance. Exuberant creativity is what will continue to save us in good times and in bad," she said.
Ragdale residents are selected by a jury process from a large pool of applicants. Typically, the residency program enables nearly 200 dancers, writers, playwrights, musicians, poets, visual artists and architectural designers the time and space to focus on their projects. While residents pay a fee, about 95% of the actual costs of a residency are subsidized by Ragdale fundraising.
The studios are expected to be completed this fall when a grand opening of the Sybil Shearer Dance Studio at Ragdale will bring the premiere of a new documentary by award-winning filmmaker Bob Hercules about the work of Shearer, Helen Morrison, and the dance studios. Other opening events are anticipated.

Alida Szabo, MSF Board Chair and Shayne Bullen, MSF Vice Chair
MSF Names Alida Szabo New Board Chair Replacing Carol Doty
SHAYNE BULLEN Named New Vice Chair
For a PDF of the Press Release, click here.
The Morrison-Shearer Foundation (MSF) has named ALIDA SZABO as its new Board Chair, succeeding CAROL DOTY who, after retiring from the Morton Arboretum, joined the MSF Board in 2002 and has served as its Chair since 2006.
“Carol is leaving some big shoes to fill, but having served on the Foundation Board prior to and throughout her tenure I come to this position with a thorough knowledge of where the Foundation has been and appreciation of its vision for the future,” says Szabo.
During Doty’s tenure, a significant portion of the Morrison and Shearer archives, including photos, costumes, programs and artifacts were placed in the NEWBERRY LIBRARY; and the Morrison films were placed in the CHICAGO FILM ARCHIVES. In addition, the Foundation published Shearer’s three-volume autobiography, “Without Wings the Way Is Steep,” and produced numerous public programs.
A tribute to Shearer and Morrison, the Foundation recently established a new partnership with the RAGDALE FOUNDATION through a gift of $1.5 million to support new construction including the Sybil Shearer Studio on Ragdale’s Lake Forest campus. The new construction is scheduled to open in 2021.
MSF Names Alida Szabo New Board Chair Replacing Carol Doty
SHAYNE BULLEN Named New Vice Chair
For a PDF of the Press Release, click here.
The Morrison-Shearer Foundation (MSF) has named ALIDA SZABO as its new Board Chair, succeeding CAROL DOTY who, after retiring from the Morton Arboretum, joined the MSF Board in 2002 and has served as its Chair since 2006.
“Carol is leaving some big shoes to fill, but having served on the Foundation Board prior to and throughout her tenure I come to this position with a thorough knowledge of where the Foundation has been and appreciation of its vision for the future,” says Szabo.
During Doty’s tenure, a significant portion of the Morrison and Shearer archives, including photos, costumes, programs and artifacts were placed in the NEWBERRY LIBRARY; and the Morrison films were placed in the CHICAGO FILM ARCHIVES. In addition, the Foundation published Shearer’s three-volume autobiography, “Without Wings the Way Is Steep,” and produced numerous public programs.
A tribute to Shearer and Morrison, the Foundation recently established a new partnership with the RAGDALE FOUNDATION through a gift of $1.5 million to support new construction including the Sybil Shearer Studio on Ragdale’s Lake Forest campus. The new construction is scheduled to open in 2021.
As Director of Audience Development, Alida Szabo led Chicago Shakespeare Theater’s marketing, advertising, and media relations, from 1998 through her retirement in 2018. Her 20-year tenure at the Tony Award-winning theater included the opening of a 500-seat courtyard-style facility on Navy Pier in 1999, and the 2017 launch of the neighboring theater, The Yard at Chicago Shakespeare, one of the most flexible theater venues in the world with audience capacities ranging from 150 -850. Prior to joining Chicago Shakespeare, Szabo was a consultant in program development, marketing, and media services for such clients as Walt Disney’s Theatrical Division and the City of Chicago Department of Cultural Affairs. She also served as a panelist and advisor for National Endowment for the Arts, the Illinois Arts Council, Chicago Cultural Center Foundation, and the Chicago Dance Coalition. She spent seven seasons at The Goodman Theatre, served two Chicago mayors and was associated with several of Chicago’s prominent off-loop theater groups, including MoMing Dance and Arts Center and St. Nicholas Theater Company. Szabo holds a Master Degree in Urban Affairs from Roosevelt University.
SHAYNE BULLEN has also been named Vice Chair of the Morrison-Shearer Foundation Board. As Vice Chair she joins the Executive Committee which includes Board Secretary Mary Sue Wheeler and Treasurer Brian Schaeffer. Bullen, a former dancer with the Sybil Shearer Company, is a former educator and high school administrator and current small business owner. In her role as an educator, she developed the Dance Education Curriculum at Schaumburg High School, was the Orchesis [Dance] Director at Prospect High School and the District 214 Dance Show Director for one season. As an administrator from 2003 – 2017, she served as high school Activities Director. Bullen holds a Bachelor’s Degree in Dance Education from the University of Illinois at Urbana–Champaign and a Master’s Degree in Educational Leadership from Roosevelt University.
The Board of Trustees Executive Committee is rounded out by the continuing service of Mary Sue Wheeler as Secretary and Brian Schaeffer as Treasurer.

Newsletter “Sharing the Legacy”
The Morrison-Shearer Foundation Newsletter, "Sharing the Legacy", highlights the events and programs of the past year. Click here to download the latest issue of "Sharing the Legacy: News from the Morrison-Shearer Foundation 2020".
For current and past issues, click here.
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Covered entrances to the Dance Studio on the right and the Composers’ Studio on the left.
The Sybil Shearer Studio at Ragdale
DECEMBER, 2020
After several years of working closely with the Ragdale Foundation, the Sybil Shearer Studio at Ragdale is underway in Lake Forest. The MSF gift of 1.5 million dollars is significant at a time when arts funding is floundering, and makes it possible for the development of both the dance studio and an adjacent composer's studio. Woodhouse-Tinucci Architects and Goldberg General Contracting are hard at work, and we expect the Studio to open in the Fall of 2021. As part of the Ragdale artists’ community, it will provide an inspiring space for new creativity in dance and movement – a living legacy of Sybil Shearer and Helen Balfour Morrison. For more information, click here.
A documentary film committee, chaired by Liz Kidera, has commissioned Bob Hercules and Media Process Group (MPG) to create a short film about the work of Sybil, Helen, and the dance studios. It will premier as part of the opening of the new Sybil Shearer Dance Studio at Ragdale, Fall of 2021.

Sybil Shearer Autobiography, Volume III
NOVEMBER, 2020
The publication of Volume III of Sybil Shearer’s autobiography, Without Wings the Way Is Steep: The Reality Beyond Realism, is another major project that was finished this year. This volume is about Sybil’s later years alone in Northbrook (1985-2004) as critic, writer, and Anthroposophist. In it, her two worlds — dance and Anthroposophy — are melded through reflections, reviews, and three extraordinary correspondences: with Ballet Review editor Francis Mason, Waldorf educator and astronomer Norman Davidson, and biodynamic farmer and eurythmist Marjorie Spock. Also important is her connection with John Neumeier, former student and longtime director of the Hamburg Ballet. With this volume, Sybil’s autobiography is complete, revealing her genius as thinker, modern dance pioneer, spiritual seeker, writer, friend, and warm human being. One reader’s comment was, “What a third act!”
Purchase Volume III, The Reality Beyond Realism
More Information: The Autobiography of Sybil Shearer, in Three Volumes

Sybil with Carol at Carol’s retirement from the Morton Arboretum in 1998.
Leaving Her Own Legacy, Carol Doty Retires
DECEMBER, 2020
After serving MSF as a Trustee since 2002 and Chair since 2006, it is poignant to be making my last report to you before my retirement at the end of this year. I met Sybil in 1993, not through dance, but through our mutual interest in Jens Jensen and The Clearing, his Wisconsin school where Sybil took her dancers in the 1940s and where I had volunteered since 1972. When we met there, I had no idea that it would lead to a quarter century of such rich opportunities and friendships. It has truly been a joy and a privilege.
Let me leave you with these thoughts, so crucial at this moment in history: “Arts are infrastructure, as surely as roads, schools and hospitals are. They make life meaningful. They enrich our existence. They deserve our support.”

Dr. Wendy Castenell and Dr. Amy M. Mooney
Newberry Library Fellowships
APRIL, 2020
Two Newberry Library Fellowships were funded by MSF for a study in 2021. The Newberry has presented the project as “The Edifying and Elusive Gestures of Great Americans,” an examination of Helen Balfour Morrison’s “Great Americans” portraits. Goals for this research include being featured in two publications, such as the peer-reviewed Archives of American Art Journal, to re-introduce Morrison’s contributions to a broader public, and to consider the potential to develop a larger exhibition project.
Two recipients have been announced. Dr. Wendy Castenell is Assistant Professor of African American Art in the Department of Art and Art History at the University of Alabama. Her additional goals include exploring evidence about the reception of Morrison’s works, and beginning to place her and her photographs within the larger context of contemporary female photographers engaged in documenting regional populations. She will also consider the way the early photographic series straddled the line between traditional portraiture and the particular concerns of Modernism.
Newberry Library Fellowships
APRIL, 2020
Two Newberry Library Fellowships were funded by MSF for a study in 2021. The Newberry has presented the project as “The Edifying and Elusive Gestures of Great Americans,” an examination of Helen Balfour Morrison’s “Great Americans” portraits. Goals for this research include being featured in two publications, such as the peer-reviewed Archives of American Art Journal, to re-introduce Morrison’s contributions to a broader public, and to consider the potential to develop a larger exhibition project.
Two recipients have been announced. Dr. Wendy Castenell is Assistant Professor of African American Art in the Department of Art and Art History at the University of Alabama. Her additional goals include exploring evidence about the reception of Morrison’s works, and beginning to place her and her photographs within the larger context of contemporary female photographers engaged in documenting regional populations. She will also consider the way the early photographic series straddled
the line between traditional portraiture and the particular concerns of Modernism.
Dr. Amy M. Mooney is an Associate Professor at Columbia College Chicago. She intends also to explore ways that exhibitions of the “Great Americans” portraits may have been used to promote a broader understanding of American identity, a central theme in her forthcoming book, Portraits of Noteworthy Character: Negotiating a Collective American Identity.
Her publications include a monograph, Archibald J. Motley, Jr., as well as contributions to anthologies and catalogs including Beyond Face: New Perspectives in Portraiture (2018). She is a recipient of fellowships from the American Council of Learned Societies, the National Portrait Gallery, the Smithsonian American Art Museum, and the Terra Foundation for American Art. In collaboration with Dr. Deborah Willis, she recently launched a digital humanities project, “Say It with Pictures” Then and Now that recovers and examines Chicago’s African American photographers from the 1890s into the 1930s. While serving as the 2019-2020 Terra Foundation Visiting Professor of American Art at Oxford University, she delivered Regarding the Portrait, a four-part lecture series that draws from her forthcoming book, Portraits of Noteworthy Character: Negotiating a Collective American Identity, which investigates the social function of portraiture.

MSF Launches a New Website
NOVEMBER, 2020
Another longtime project is the new MSF website, launched in November, 2020, thanks to our graphic designer, Amy Jeppsen Stern, along with Carol Doty, Sue Boléa, and Corinne Pierog. Besides calling attention to current Foundation activities, the site is intentionally deep in content about Sybil, Helen, and their legacies. Until now, research information about them has been hard to find, something that has begun to change now that Sybil’s three-volume autobiography is complete and all archives are in the Newberry Library and Chicago Film Archives.
The best thing about the new website is that it is online and immediately accessible, offering both introductory and in-depth information with lots of photographs, links to other sites, and, eventually, film clips. We hope you’ll let us know what you think of it. Explore, share, and enjoy!

Corinne Pierog, Amy Jeppsen Stern and Carol Doty having a little fun while working on the MSF website via Zoom.
Our People
DECEMBER, 2020
More than once in its evolution, the Morrison-Shearer Foundation has been fortunate to have just the right person appear with the very talents we need at that moment. In November, 2011, we were nearing the end of our five-year Strategic Plan and needed to find a new Foundation Manager. We engaged Executive Service Corps to help us, and among their interviewees, we deemed one a perfect match. With her own company, Sustainable Leadership Solutions, and a superb history of work with non-profits, we knew we wanted her. But would she commute all the way from St.Charles to Northbrook? Not a problem. Distance would not deter CORINNE PIEROG from a job she expected to love!
And love it, she has. As Executive Director, she’s been central to everything we do. She was all-in from the beginning —professionalizing internal processes, learning deeply about Sybil and Helen, familiarizing herself with the archives, managing our facilities, working with volunteers, providing Trustees with the tools and information we need, and more. And her outgoing and caring personality has created warm relationships for MSF within the dance and art communities.
More than once in its evolution, the Morrison-Shearer Foundation has been fortunate to have just the right person appear with the very talents we need at that moment. In November, 2011, we were nearing the end of our five-year Strategic Plan and needed to find a new Foundation Manager. We engaged Executive Service Corps to help us, and among their interviewees, we deemed one a perfect match. With her own company, Sustainable Leadership Solutions, and a superb history of work with non-profits, we knew we wanted her. But would she commute all the way from St.Charles to Northbrook? Not a problem. Distance would not deter CORINNE PIEROG from a job she expected to love!
And love it, she has. As Executive Director, she’s been central to everything we do. She was all-in from the beginning —professionalizing internal processes, learning deeply about Sybil and Helen, familiarizing herself with the archives, managing our facilities, working with volunteers, providing Trustees with the tools and information we need, and more. And her outgoing and caring personality has created warm relationships for MSF within the dance and art communities.
As you can imagine, it is with mixed feelings that we announce Corinne’s recent election as Kane County Board Chair — a big job worthy of her talents. We sincerely congratulate her, but we sure hate to see her go!
Another example of our good fortune is AMY JEPPSEN STERN. In 2012 we were looking for a graphic designer when Trustee Alida Szabo suggested Amy, whom she had worked with at Chicago Shakespeare. We were surprised to learn that Amy lived just a stone’s throw from the Foundation and was available on call. We soon “adopted” her as our resident designer — a person fun to work with and who seems to intuit our wishes for whatever design we need.
In 2013 we began producing “Sharing the Legacy,” our annual pictorial newsletter, and Amy gradually amassed a large picture file to work from. Annual Holiday cards seem to come around fast, as do flyers for various events. Amy’s most unusual creation may be the pair of large display banners that attract attention at special events. By far the most complex design challenge has been the new MSF webpage, soon to be launched. In it Amy has done a great job of organizing a huge amount of information written by staff into an attractive and welcoming site — a work in progress to be continuously refined and updated.
As the Foundation moves forward into new and exciting directions, you’ll continue to see Amy’s work, as she’s become an essential and esteemed member of the MSF team.

Carrie Chapman Catt
From the MSF Archives — Portraits from Helen Balfour Morrison's ”Great Americans” Collection
FEBRUARY, 2020
In preparing to send our gift of Helen Balfour Morrison’s portraits of GREAT AMERICANS to the Newberry Library, we found negatives from which we’d never seen prints. Among them was this photograph of Carrie Chapman Catt (1859-1947), who played an essential role in gaining the right of women to vote. Just now, as we celebrate the 100th anniversary of passing the 19th Amendment to the Constitution, it’s serendipitous to discover this photograph!
Elizabeth Cady Stanton, Susan B. Anthony, and Lucretia Mott started the movement for women’s vote in Seneca Falls NY in 1848, an effort that ebbed and flowed over the years until 1890, when several separate organizations finally merged as the National American Woman Suffrage Association (NAWSA). With Stanton and Anthony advancing in age, Catt, with her long history in suffrage efforts, was asked to step in as President in 1900. She left in 1904 to care for her dying husband and to start still more suffrage and peace organizations before returning to the presidency of NAWSA in 1915. There her extraordinary gifts as orator, organizer, and dynamic leader were central in the drive to final victory. This photograph of Catt was taken at the Palmer House in Chicago ca. 1933.
Morrison also photographed Jane Addams (1860-1935), of Hull House, and a dozen more notable women working at this time in social reform, juvenile justice, higher education, and supporting philanthropies.

Toby Nicholson featured Winnetka Living Magazine
NOVEMBER, 2019
Bravo TOBY NICHOLSON For Teaching Theater to Winnetka’s Kids for Five Decades
Sybil Shearer dancer and Morrison-Shearer Foundation founding trustee Toby Nicholson was featured in the November 2019 issue of Winnetka Living magazine.
Winnetka Living Article ( Download PDF ): Rare is the performer who doesn’t seek the spotlight, but beyond rare is the performer who instead devotes his life to sharing his talent, creativity and showmanship freely, with love and kindness, to generation after generation of children. Yet Winnetka is blessed to have just such a performer in Toby Nicholson, the rarest of rare, unmoved by ego, unrivalled in ability, and unmatched in modesty.
According to Cathy Hirschmann, who brought him on board as her co-director at Children’s Theater of Winnetka (CTW) nearly 20 years ago, “He has no ego, he’s always just about the kids. He’s also helped me grow as a director and as a choreographer, and it’s so hard to find someone in the business who is just so kind. But not only that. He’s a renaissance man. He can dance, he can teach, he can act, he plays the piano, and if that’s not enough, he can also build the sets, and he’s an artist who has been drawing and painting for years. There really isn’t anything he can’t do. Years ago, my mother used to help him with the set painting and he was so wonderful to her. Then when she took ill, he sat with her reading for hours while she was in hospice. That’s the kind of person he is.”
Rare is the performer who doesn’t seek the spotlight, but beyond rare is the performer who instead devotes his life to sharing his talent, creativity and showmanship freely, with love and kindness, to generation after generation of children. Yet Winnetka is blessed to have just such a performer in Toby Nicholson, the rarest of rare, unmoved by ego, unrivalled in ability, and unmatched in modesty.
According to Cathy Hirschmann, who brought him on board as her co-director at Children’s Theater of Winnetka (CTW) nearly 20 years ago, “He has no ego, he’s always just about the kids. He’s also helped me grow as a director and as a choreographer, and it’s so hard to find someone in the business who is just so kind. But not only that. He’s a renaissance man. He can dance, he can teach, he can act, he plays the piano, and if that’s not enough, he can also build the sets, and he’s an artist who has been drawing and painting for years. There really isn’t anything he can’t do. Years ago, my mother used to help him with the set painting and he was so wonderful to her. Then when she took ill, he sat with her reading for hours while she was in hospice. That’s the kind of person he is.”
While it would seem that Nicholson must have discovered the fountain of youth, he did turn 80 in October, but that hardly stopped him from his numerous volunteer responsibilities on the upcoming productions of Beauty and the Beast and A Christmas Carol.
Starring as Scrooge in the upcoming production of A Christmas Carol is Tim Walsh. Tim is one of the many Nicholson students who first learned under him as a student at New Trier, where he taught performing arts, including dance and drama, for more than 30 years. “Renaissance man is to put it mildly,” Walsh said. “He does art, dance, mime, and as a teacher, he knew everything, about acting, dance, directing. He just has a wonderful way with people of all ages. Over the years, our relationship has developed into a really lovely friendship.”
Born in Baton Rouge, LA, Nicholson was drawn to the theater at an early age. “There was a wonderful children’s theater there and I especially loved the marionette shows,” Nicholson said. “My parents then got me some marionettes and I would dress them, write scripts for them and put on shows all over town, doing birthday parties and things like that. My grandma even made me marionettes of the Seven Dwarfs, carving them herself, and I still have them.”
It was in junior high that he started doing live acting and then the high school he attended in Baton Rouge had a four-year theater program, which he still credits for the impact it had on his development. Unfortunately for him though, his father was transferred to New Jersey prior to his senior year and the new high school only offered a one semester class in theater. But by that point, it didn’t matter in the least, because his direction was set.
“My parents were always very supportive of me and never missed a single one of my performances,” he said. “That’s especially important, because many times children that are drawn to the performing arts may feel like misfits, but my parents made me feel special and that’s how I feel about all the children I’ve taught over the years.”
College brought NIcholson to the North Shore to attend Northwestern for theater and while there, he also became head cheerleader, which speaks to his strength and dexterity, as well as his talent. Prior to graduation in 1961, he began to cut his teeth professionally in of all places, HIghland Park, starting in 1959, which was then home to the Tenthouse Theater in the Round, a summer drama playhouse that featured “all Equity actors,” as their adverts stated. (Equity actors being those who qualify for membership in the Actors’ Equity Association, the labor union representing American actors and stage managers in the theater.) This proved to be a great experience for Nicholson who appeared in a production of Guys and Dolls with Tony Bennett and in a production of The Music Man with Van Johnson.
Nicholson, in his typically unassuming way, then offers that he, “stayed around to join the Sybil Shearer Dance Company.” For those in the know, Shearer is highly regarded as one of the 20th century’s most significant dancers. Critic John Martin wrote of Shearer that she was a dancer, “with a matchless technique, a curiously creative sense of movement, and a powerful presence. She has been, indeed, a kind of symbol of the next step forward for the modern dance."
Nicholson performed in her company for 20 years and today he is a trustee in The Morrison and Shearer Foundation, which continues to support dancers financially, and is working to build and open a dancers’ retreat and studio at Ragdale, the nonprofit artists community located in Lake Forest on the former country estate of architect Howard Van Doren Shaw. Nicholson’s wife, Juanita, was also a member of the company and the two married in 1967. The couple have a son, Christopher, who is performing in his father’s production of A Christmas Carol this year.
In addition to summer stock, dance company and working on sets for NU’s Theater Association, where his wife was now Technical Director, Nicholson began doing volunteer work in school productions in Winnetka upon graduating from NU in ‘61 and at New Trier starting in 1965. He also launched his own school, The Toby Nicholson School of Dance and Community Theater, where he taught students at the Winnetka Community House from 1961-65.
The life of an itinerant performer can be trying, but as Nicholson says, “I never starved! But, I never went to New York either. I had already found happiness in Winnetka.”
With happiness found, his wife told him to get his teaching certificate, which he did, after getting his Masters in Dance Education from Northwestern, and officially joining the staff at New Trier in 1971. I asked Nicholson what it was like teaching theater at New Trier in the turbulent 1960’s, but he joked and said, “in the 60’s, New Trier was still in the 50’s.”
He went on to say though that in 1965, “New Trier was still very formal and somewhat homogeneous, but over my 30 years there it really changed. When I started, a sport coat and tie were officially mandated and it was a big deal if you took off your coat to teach. By the time I left, in 1997, people were wearing shorts and sports shirts to school. However, it was still pretty conservative and that aspect has always agreed with me. I prefer to produce the old standards, like Music Man. West Side Story is my favorite. I don’t believe in putting on shows that have foul language. As a performer, I wouldn’t want to say that from the stage.”
He credits Winnetka with being, “a community that is pro arts and the emphasis on the arts continues to survive and thrive.” He is especially pleased that New Trier has “25 performing arts teachers, even today.”
When he retired in ‘97, he really thought he was going to exit stage left to a life of leisure, but his leisure life was short-lived as Children’s Theater of Winnetka beckoned him in 2000.
“I kind of asked Toby to join me to be co-director and that is probably the best decision I ever made in my life,” said Hirschmann. “His patience and experience, and the way he loves and respects the kids. I’ve never seen anything like it. He changed everything. Moving us to two full casts was amazing and changed children’s theater. So we totally became more about the kids than the play. He taught me that that’s what children’s theater is about, the kids and the process.”
Nicholson says, “I never met a kid I didn’t like. I’ve always been supportive and never yelled or screamed, because it’s important to me that in addition to learning the performing arts, the kids also learn leadership. Even though CTW only goes up to eighth grade, I was always sad when I would lose the kids to New Trier. That’s why I’m so glad we are allowed to bring some of them back now as volunteers, so that they can get experience in leadership roles too.”
So, what does Nicholson say to kids who have always wanted to be in the arts, but ask how they can make a living too. “Be as diverse as possible, because you don’t know what part will open up to you. Every aspect is important; singing, dancing, managing. Education is important, so take classes, and the business aspect is important too. Also, be sure to pick up as much leadership training as you can along the way.”
Children’s Theater of Winnetka will have six performances of Beauty and the Beast Nov. 21-24. To purchase tickets go to https://www.childrenstheatrewinnetka. com. All performances are at the Winnetka Community House.
The Community House presents Toby Nicholson’s original production of Charles Dickens’ A Christmas Carol with two performances on Saturday, December 7 at 3PM and 7PM, and on Sunday, December 8 at 1PM and 4PM. Tickets are available at www.mycommunityhouse.org. Go to the Special Events Calendar for those dates.

Liesl Olson, Jessica Friedman, and Carol Doty.
Newberry Library visits The Foundation in Northbrook
NOVEMBER 13, 2019
On November 13 MSF was pleased to welcome two new visitors, Liesl Olson, Director of Chicago Studies at the Newberry, and Jessica Friedman, PhD student at Northwestern University. Both are planning to publish work that includes Sybil Shearer-- Friedman as part of her dissertation, and Olson as part of a book about Chicago dance – and were interested in gaining an overview of Sybil’s life and work. Olson is the author of Chicago Renaissance: Literature and Art in the Midwest Metropolis (Yale Press, 2017) and Modernist and the Ordinary (Oxford University Press 2009). Exciting prospects!

Carol Doty and Scott Mehaffey.
Helen Balfour Morrison’s Mies van der Rohe portrait gifted to Farnsworth House
JULY 10, 2019
On July 10, a digitally remastered print of Helen Balfour Morrison’s iconic portrait of Mies van der Rohe was gifted to the famed Farnsworth House in Plano, Illinois. Presented by MSF Trustee Chair Carol Doty to Scott Mehaffey, Executive Director of the Farnsworth House, it will be displayed in the Farnsworth Visitor Center. The house, built in 1949-1951 in the international style, is one of the world’s most widely recognized and studied structures of the 20th century, visited annually by thousands of architecture students and professionals for whom the house is an international pilgrimage site. Architect Philip Johnson commissioned this portrait for his monograph of the Museum of Modern Art’s 1947 exhibition of Mies’ work. Oddly, Morrison was not credited for the photo until 2016, when it was discovered on a visit to MoMA by MSF.

“The Legacy of Chicago Dance” exhibition opens
APRIL 2019 , THE NEWBERRY LIBRARY OF CHICAGO
“The Legacy of Chicago Dance” opened in April in the Newberry Library’s newly renovated first floor exhibition area, displaying the wide range of the Library’s dance holdings. While it focuses on Chicago and Midwest dance history, the collection’s reach is international. Sybil was well represented by photographs and a stunning costume from the Shearer Collection, gifted to the Newberry by MSF.

Ella Rosewood, Melissa Thodos, Jan Bartoszek, and Hedy Weiss.
Preservation, Tradition and Innovation from Sybil Shearer through the Present
JUNE 13, 2019, THE NEWBERRY LIBRARY OF CHICAGO
MSF and the Newberry co-sponsored the well-attended “Preservation, Tradition, and Innovation from Sybil Shearer through the Present” on June 13. Moderated by Hedy Weiss, noted performing arts critic for Chicago and national media, the program featured three panelists with film highlights.
Panelists were Jan Bartoszek, founder and artistic director of Hedwig Dances; Melissa Thodos, of Thodos Dance Chicago, and Ella Rosewood, who lives and works in New York City. All have recreated Shearer dances — Hedwig in 2012 at the Winnetka Community House, and Thodos in 2013 at the University of Chicago and 2014 at the Auditorium Theatre.
Rosewood’s “Seminal Solos” project includes re-creations of dances of historic dancers, her latest being “Eighth Dance,” premiered by Sybil at Carnegie Hall in 1949, and performed by Ella at the 92nd Street Y in New York in 2018. Interestingly, some of Sybil’s early New York concerts up to 1946 were held in that same Y.

Nancy Watrous, Chicago Film Archives.
The Morrison-Shearer Archives
SPRING 2019
This year all of our major archives were placed in institutions where they will be cared for and be accessible for study. The Helen Balfour Morrison Collection and the Sybil Shearer Collection were gifted to the NEWBERRY LIBRARY and were featured in The Newberry Magazine, Spring/Summer 2019 issue. The Morrison Collection contains hundreds of portraits of “Great Americans,” Chicagoans, and African-Americans in rural Kentucky hamlets, as well as Helen’s papers.
The Shearer Collection includes concert programs, correspondence, memorabilia, costumes, and hundreds of photos of Sybil, both formal and informal, taken by Morrison over their forty-year artistic collaboration. Newberry staff are pleased to have both collections, preserving the interconnectedness of the careers and lives of these two modernist women.
The Morrison-Shearer Film Collection has been placed with CHICAGO FILM ARCHIVES, where for more than ten years MSF films and sound recordings have been carefully restored and preserved. Nancy Watrous of CFA has been a superb partner, seeking grants and opportunities for showing our films.
The Morrison Shearer Archives
SPRING 2019
This year all of our major archives were placed in institutions where they will be cared for and be accessible for study. The Helen Balfour Morrison Collection and the Sybil Shearer Collection were gifted to the NEWBERRY LIBRARY and were featured in The Newberry Magazine, Spring/Summer 2019 issue. The Morrison Collection contains hundreds of portraits of “Great Americans,” Chicagoans, and African-Americans in rural Kentucky hamlets, as well as Helen’s papers.
The Shearer Collection includes concert programs, correspondence, memorabilia, costumes, and hundreds of photos of Sybil, both formal and informal, taken by Morrison over their forty-year artistic collaboration. Newberry staff are pleased to have both collections, preserving the interconnectedness of the careers and lives of these two modernist women.
The Morrison-Shearer Film Collection has been placed with CHICAGO FILM ARCHIVES, where for more than ten years MSF films and sound recordings have been carefully restored and preserved. Nancy Watrous of CFA has been a superb partner, seeking grants and opportunities for showing our films.
With her work done, our ARCHIVIST, TRACY GOLDBERG (right), retired at the end of September. How fortunate MSF was when she answered its ad on VolunteerMatch.org eight years ago! She came with related experience and soon became MSF’s archivist. She and her husband have moved to Boulder, Colorado.